However, this means the beginning of a new era, where the microphones that you want to listen to are available at WellMixedStore.com

News about all thing related to home recording will be more constantly posted on a little microblogging platform that you may have heard about called Twitter. Be sure to Follow @WellMixed there.

Read Arrington’s report by clicking here.

What does this mean for musicians? It can only be good, as the website that all musicians are still obligated to join has hemorrhaged users, dropping from the 6th most popular site one year ago to 17th place today. Sound Recording has discussed in the past about how MySpace is failing, and how the music aspects of it have been lost.

This news presents us with a ray of hope that MySpace will again be a place for musicians to “be discovered.” Imagine if all internet users felt the need to visit MySpace every day to stay informed of what they should be discovering. What do you think will happen? Leave a comment…

5. BALLDROPPINGS.com

I can’t believe that the domain name “balldroppings” wasn’t taken. They put it to the best possible use. I’ve spent way too much time trying to create the most ambient or most rhythmic sounds, and just as much time trying to get the balls to bounce exactly straight up and down or in a certain line.

4. The Indian Music Generator

This one might be a little bit racist, and not all sounds sync up in rhythm.
But in a pinch it’s a fun introduction to Indian musical elements. If you’re already familiar with Hindustani or Carnatic Music, you can go here for an online Tanpura,.

3. Tiny Drums

It looks like Q*bert would be at home using Tiny Drum 3.0 with its 3-D grid of 16 x 5 blocks.
The y-axis is a pentatonic scale for Versions 3-5. Version 1.0 and 2.0 use drum sounds.
The x-axis is a standard 16th note grid.
The tempo is adjustable, though there isn’t an option for swing or for accents. You can also save your patterns in a text file by copying the number commands (like 4369-0-21845-17681 )

2. Grotrian Piano

Similar to balldroppings, the Grotian Piano is auditory and as well as visual and relies on a gravity effect. It allows a good deal of control over 12 tones. Then it lets things get out of control in very delightful ways.
The “Grotian” setting also includes percussive piano knocks and taps.

1. Hobnox Audiotool

This one blows me away and is sure to only get better as Flash, browsers, and computers speed up. Recording is built in, the sound is amazing, and the possibilities are great. The only problem is that the learning curve is not for beginners. For musicians who want to spend some hours with Hobnox, the rewards might be something special.

Did I miss anything? Please Leave a comment!

However it is caused, the resultant ringing is particularly troubling to musicians as it interferes with the enjoyment of music. Check out this CNN-produced video featuring Dr. Sanjay Gupta and Lars Ulrich.

Have you ever experienced a ringing in your ears? Leave a comment below and tell us about it.

Many of those folks are willing to donate or invest money in recording projects.

Check out Sellaband.com

It is a site that allows fans to help fund their favorite musical artists.

Dutch singer Hind raised $60,000 in 11 days last month via Sellaband. Once the album is released, fans will receive a variety of goodies/incentives .

It never hurts to ask for cash if you believe in your product!

It got me thinking about how quickly things change.

Edison’s wax cylinders stored two to four minutes of music; that meant getting up and changing them over and over in order to enjoy one of the symphonies or operas that were the standard unit of music at that time.

By the time 78 rpm records replaced cylinders, a new manner of pop and jazz music had developed with individual songs of two to four minutes.

Can anyone be surprised that with today’s technology and artist overload, the three-minute track is giving way to the 20-second ringtone? Comments welcome!

Regardless, most of it is pretty awesome. Check it out here:

http://www.npr.org/templates/story/story.php?storyId=121103815

Digital Vinyl Systems are made by companies like Numark (and several other companies), and rely on modern technology to emulate the old.

[Via Create Digital Music]

The controversy over these digital vinyl systems developed when patent-holder N2IT filed a civil action complaint against provider M-Audio and its remarkably similar Torq technology. In its pursuit of monopolizing on its technology, some speculate that N2IT will also file suit against Serato.

The fallout from this legal settlement is sure to mean the demise of some popular digital vinyl systems that were found to be in violation of N2IT’s patent as well as higher prices for DJ’s who rely on digital vinyl technologies for their livelihood.

While a digital vinyl record looks a lot like a traditional record, it is really a lot different. With “Virtual” vinyl, the record basically represents a timing mechanism where the turntable feeds back to a computer that is playing an mp3 or other audio file. The magic of this is that DJ’s can use these systems like traditional turntables while having the option to add scratches and needle drops  to enhance their style.

Fortunately, alternate technologies for digital vinyl have already developed, so we can hope that the overall impact of this settlement could turn out to be positive for the industry as other solutions emerge.

http://www.npr.org/blogs/monitormix/2009/11/the_death_of_mistakes_means_th.html

One gem of the piece is this YouTube Video, that provides a great explanation of the “loudness wars” in mastering:

My major criticism of Wolk’s writing here is that his prime example of a sloppy recording, The Beatles “Rain,” is not really THAT sloppy. In fact it uses some well thought out reverse tape effects. The Beatles - with the help of George Martin - were very into forward thinking recording techniques.

Also, left out of the discussion is the ways in which most people listen to music versus the ways in which audiophiles listen to music, AND the ways in which record companies sell music and who is buying it.

Of course WellMixed does whatever the client wants, so we don’t have to be bothered with all of these aesthetic conundrums. But…. Sometimes it’s fun to think about!

What do you think? Please leave a comment!!

http://sivers.org/livecd

In it he retells a story from band manager, Terry McBride. The un-named band in question was selling about $300 per night in CD’s at $15 per. Then they tried an experiment:

They asked the audience to pay what they want, while making clear that they were very proud of the CD and felt like everyone should listen to it.

According to McBride, the nightly sales shot up 400%.

Sivers is asking people to comment on their experience with this technique, so check it out.